A.A. Abbott

GREAT CRIME STORY WRITER

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When Crime Pays – Narconomics, a Book Review

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When I’m writing a crime thriller, I get advice from specialists – prison officers, policemen and even a farmer who once grew hemp (the legal equivalent of cannabis). One of these experts recommended “Narconomics”.

“You won’t know what drives criminals until you understand the economics of the drugs trade,” he said, assuring me that “Narconomics” would explain just that.

I expected the book, written by “Economist” journalist Tom Wainwright, to be rather dry. It turned out to be anything but. Wainwright describes meeting murderous central American crime bosses, harassed-looking lawmen and colourful designer chemical developers. He delves into the dark web, finding drugs freely available from dealers with feedback ratings just like sellers on ebay. A little old lady tells him about her heroin addiction, while Colorado’s cannabis entrepreneurs trumpet the jobs they’ve created since the drug was legalised. The goods and services on offer include weed tours and whacky chocolate as well as the predictable reefer shops.

Throughout his journey, Wainwright explains how criminals are seizing opportunities to supply products for which a demand exists. Just like a legal business, they must balance risk and reward. The extreme violence used by Mexican cartels and the friendly customer service from online dealers are two sides of the same coin, and no accident: they’re a rational response to market forces.

Although the book is free from graphs and turgid tables of figures, Wainwright occasionally refers to statistics. He shows how consumption of drugs hasn’t fallen despite the billions of taxpayers’ money spent on (attempting) to reduce the supply. Accordingly, he suggests that governments target demand. Prevention, he says, is cheaper than cure. Controversially, he also advocates legalisation. As an aside, he says that Colorado’s new marijuana factories and jobs might not survive worldwide weed liberalisation: global corporations would grow the product more cheaply in Asia and South America.

“Narconomics” is subtitled “How to Run a Drug Cartel”. It doesn’t deliver on this grandiose claim, and anyone expecting a primer in setting up an illegal business will be sadly disappointed. However, as an entertaining account of the business side of the drugs trade, “Narconomics” should be of interest both to readers and writers of crime fiction.

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My last crime thriller, “The Grass Trail” followed the fortunes of a drugs baron desperately trying to escape from his south London prison, and a Brummie businessman dallying with dope farmers in order to grow raw materials for a cancer-busting drug. Check it out here.

Thriller of the Month – The Darkest Lies, by Barbara Copperthwaite

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Like the famous Echo & The Bunnymen song, “The Darkest Lies” revolves around a killing moon. On brightly moonlit nights, two young girls are brutally attacked. Fobbed off by police and betrayed by friends, Melanie, mother of one of the victims, turns detective to find out who’s responsible for the awful crime.

At thirty-three, Melanie is a housewife and journalist manqué who has lived in the same Fenland village all her life. She thinks she knows everybody’s secrets, including her daughter’s. After all, Beth is an only child, and both Melanie and her loving husband have a close relationship with her. Nevertheless, as Melanie unpeels the surface of her neighbours’ lives, unpleasant truths are revealed. Melanie finds herself in danger, too, but willingly embraces it in her quest to avenge her daughter.

The strain on Melanie’s mental health and her marriage are too apparent. It’s impossible not to sympathise with her despite the poor choices she makes in her desperation to cope. This maintains suspense, as do the tantalising glimpses of the killer’s thoughts that punctuate the narrative.

“The Darkest Lies” is Barbara Copperthwaite’s third thriller. As ever, the pages keep turning right up until the nail-biting conclusion – on a moonlit night, of course…

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Like Barbara, I’m a British crime thriller writer. With other authors, I’ll be taking part in a big online thriller giveaway in June – sign up for my newsletter to find out more, and receive a free e-book of short stories.

Thriller of the Month – Silent Scream, by Angela Marsons

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Thriller of the Month – Silent Scream, by Angela Marsons

British thriller writer Angela Marsons has sold 2m books. It’s easy to see why when you read her first crime thriller, Silent Scream (currently a bargain 99p on Amazon). The first page features a child’s clandestine burial, while a well-to-do woman is murdered in her bath in the next chapter. Marsons grabs the reader by the throat right from the start, and never lets go.

This twist-packed detective story has a very American feel, with the lawmen’s banter calling to mind vintage cop shows such as Hill Street Blues. However, like its author, heroine DI Kim Stone is based firmly in the Black Country.

The post-industrial urban sprawl to the west of Birmingham is sympathetically described. Marsons makes it clear that it’s not all high-unemployment sink estates; there are wealthy areas too. Occasionally, the distinctive local dialect crops up in characters’ conversations, but Marsons displays a light touch with that and there is no struggle to understand them.

So what of the story? Kim Stone finds herself chasing the serial killer of individuals who worked at a children’s home that burned down ten years before. Having established a link between the victims, Stone is in a race against time to protect remaining employees of the institution. Her suspicions that bodies will be found in the home’s grounds sadly proves correct. That triggers emotions for Kim Stone, who spent much of her early life in care. In fact, although perceived by others as cold and lacking in social graces, Stone is extremely emotional below the surface. In particular, she is determined to stick up for those without a voice. There is never any doubt that Stone will find the murderer, because she is so highly motivated by her desire to bring justice to the dispossessed.

Naturally, there are obstacles along the way – as well as plenty of red herrings and twists. The Queen of Suspense, Marsons keeps us guessing. Both the unmasking of the killer, and subsequent heartwarming ending, came as a complete surprise to me. They were, however, completely credible.

The book is a page turner, and I polished it off in a day. The only off note for me was Marsons’ rather harsh description of the Bull & Bladder pub. Luckily, she admitted the error and apologised in a later book. As a temple to Bathams Bitter, the alehouse serves some of the best beer in the land, and I’m jealous that one of her characters calls it his local. Having said that, I wouldn’t want to share the fate she has in store for him…

This is the first in a long series about Kim Stone. I’ll definitely work my way through the rest!

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I’m also a crime thriller writer, focusing on the buzzy British cities of Birmingham and London. Read “5 minute crime thriller” The Gap here.

Thriller of the Month – Dark Fragments, by Rob Sinclair

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An unreliable narrator isn’t often used in a thriller, perhaps because it requires a great deal of skill to keep a reader engaged once it’s clear the “hero” is anything but. John Grisham did it well in “The Racketeer”. Now British writer Rob Sinclair joins him with “Dark Fragments”.

“Dark Fragments” is a departure for Sinclair, who has previously written tense third person spy thrillers about secret agent Carl Logan. This, his first book for crime publisher Bloodhound, is told in the first person by Ben Stephens. At first, management consultant Ben seems a nice, ordinary guy. He adores his children and his wife. Yes, he’s down in the dumps, but who wouldn’t be in his situation? After all, he’s being threatened by gangsters over a soured business deal, he’s haunted by the unsolved murder of his first wife, and his career has plateaued. We can all imagine struggling with that kind of baggage.

This is where Rob Sinclair is very clever. Having made us sympathise with the man, perhaps even identify with him, alarm bells ring as Ben takes extreme actions to solve his problems. Rash and impulsive, he resorts to infidelity and violence, all the while seeing himself as a victim. The level of self-justification is such that the dramatic finale of the book is easy to believe, although it still comes as a surprise.

Sinclair’s style is pacy, energetic and liberally punctuated with cliff hangers. In consequence, “Dark Fragments” is a quick read, which leaves the lingering feeling that the ordinary people you meet every day may not be quite what they seem.

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“Dark Fragments” is set in Birmingham, England. I also write crime thrillers that are (at least partly) set in the city and I very much enjoyed Rob Sinclair’s descriptions of its swanky and seedy areas. Do you like to read about places you know? Email me at aaabbottstories[at]gmail.com.

Thriller of the Month – Trouble with Product X, by Joan Aiken

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The late British writer Joan Aiken is best known as an author of supernatural children’s stories, but her adult tales are worth seeking out too. This thriller is like a Formula 1 car, racing along at breakneck speed with many twists on the way. It’s a period piece, written about fifty years ago and set in a world my parents would recognise, when a train from London to Penzance took nine hours and you could avoid rush hour traffic jams in London.

Just as TV’s Mad Men showcased the US advertising industry in 1960s Manhattan, “Trouble with Product X” sheds light on their counterparts in London. Product X is a wonderful new perfume, expected to take the market by storm. Certainly, manufacturers Gay* Gal think so, and ad agency Salmon and Bucknell is delighted to win the account. It’s all hands to the pumps and Martha, a young copywriter, is despatched to Cornwall to produce ads for TV. She’s accompanied by colleagues, cameramen and assorted hangers-on, including a creepy client and his unpleasant chums. The trouble with Product X, as she rapidly discovers, is that the formula has been lost – or has it?

Tension rapidly mounts as the rich and beautiful are revealed to be feckless kidnappers and murderers. Luckily, Martha finds some good eggs on whom she can rely, including stalwart colleague Tom and a community of brusque monks with hearts of gold.

The book is a fun, quick read, and could almost be approached as historical fiction given that the events take place five decades ago. Joan Aiken worked as an advertising copywriter herself, and writes amusingly of the flattery employed to sell unprepossessing products. There too many twists and turns in the plot to describe, but all are believable (just!), and the book is well-written. Hats off to The Murder Room for republishing it for the Kindle. Note that old paperbacks are available for pennies on Amazon under another title, “Beware of the Bouquet”.

 

*The word “gay” is used a lot in the book in a very old-fashioned sense, basically describing a desire to go drinking and dancing.

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I’m also a writer of fun, fast thrillers – read The Gap, a “5 minute crime thriller” set in modern London, FREE, here.

Why dyslexia doesn’t stop you reading…

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My grandfather was a telecoms troubleshooter. As a young Englishman in the early 20th century, he travelled the world, supervising the laying of cables across the sea, then keeping the signal crystal-clear after that. If equipment was broken, he’d fix it himself. His work took him to New York, Odessa and Persia, in ships and steam trains and a Model T Ford.

Despite his can-do attitude and undeniable skills, he never picked up a book. My grandfather was dyslexic; reading and writing was a struggle for him. He wasn’t alone, of course. Although I dodged that bullet myself (to compensate, fate decreed I’d be rubbish at DIY), dyslexia features in every generation of my family. In fact, 10% of Britons are dyslexic.

It isn’t that hard to produce a dyslexia-friendly book, but it costs more than a traditional paperback. That’s because, with larger letters and more space between the lines, the page count zooms up dramatically. Perhaps that’s why nobody has published fiction for adults with dyslexia – until now. Perfect City Press has produced new editions of my crime thriller, The Bride’s Trail, and its sequel, The Vodka Trail. Spot the difference! 

The Vodka Trail - Page 1 in traditional and dyslexia-friendly formats
The Vodka Trail – Page 1 in traditional and dyslexia-friendly formats

They’re also an option for older readers and anyone with visual stress – we’ve used a large sized sans serif font, lots of space, and cream paper, and they’re still affordable at £16.99. That compares with £7.99 for the traditional paperbacks and £1.99 for the e-books.

E-books are a great alternative, of course. You can adjust the style and size of the font, and sometimes the colour of the background. But for me, nothing beats a good old-fashioned paperback – and I suspect dear old Grandad would finally agree!

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I’m a British crime thriller writer. I’ve written a variety of short stories, and four full-length thrillers sizzling with suspense, sex, love and death. My latest, The Bride’s Trail and The Vodka Trail, are available in e-book, traditional paperback and dyslexia-friendly paperback editions through a variety of bookstores and online retailers.