A.A. Abbott

GREAT CRIME STORY WRITER

british crime thriller writer

Settings in Fiction – a guest blog by Victoria Goldman

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Places inspire plots

Settings in Fiction illustrated by an English map

A strong sense of setting is important to me when I read. I enjoy books in which the backdrop becomes a character in itself – a haunted English country mansion, frozen Icelandic terrain, or even bustling London streets. I love familiar settings, where I recognise place names and buildings, visualising myself there as the plot unfolds around me.

So when it comes to my own novels, setting is essential to me when I write, using words to paint pictures of tree-lined roads and rundown houses, and eerie grassy parks after dusk.

A murder mystery in a sleepy English town

When writing my murder mystery debut, The Redeemer, I always knew that I would set it in Hertfordshire, on the cusp of rural and suburban life. Firstly, that’s where I live so it’s familiar to me, but secondly, the Jewish community I feature in the book is based on those in Hertfordshire and North-West London (and specifically the one in my own town). To set the book anywhere else just wouldn’t have felt ‘right’.

The difficulty in writing about the place where I live is that it will be instantly recognisable to anyone who lives there, or nearby, especially if it’s a relatively small town with a strong sense of community. This always leads to inevitable questions, from family and friends, in particular – So, who am I in your book? Is [xxx] based on me? Why did you put a park in that location when it’s over there?

To avoid this, I created a fictional Hertfordshire town. Hillsbury has many features of my own real-life hometown – a crossroads with a synagogue and church opposite one another (which partly inspired the book’s plot), a large spacious park, a Jewish cemetery (with a small airfield nearby) and several schools. By writing about a town that doesn’t exist, it doesn’t matter if I’ve moved the secondary school, added a mosque or an extra café, or changed the layout of the roads.

The secret of Whomsoever Lane

I’ve enjoyed going on long walks at different times of the day, at different times of the year, to inspire me and fuel my imagination. I’ve explored roads that I’d never noticed before, taken photos of the finer details and created visual memories of dilapidated houses with rusty gates and rotting window frames, muddy footpaths shrouded by low-growing shrubs, and gravel driveways edged with pristine flowerbeds.

Streets in my book are based on actual streets, and many would probably be recognisable if you drove down them – roads lined with bungalows, terraced cottages or large houses with sweeping driveways. Only one road in The Redeemer is an actual place, simply because I love the name (Whomsoever Lane), although I have moved it to a different location to suit the plot.

In the acknowledgements at the back of my book, I clearly state:

‘Hillsbury is a fictional town loosely based on where I live in Hertfordshire. If you know the area, some of the locations in this book may seem familiar. But I’d like to reassure everyone who lives nearby that none of you have been immortalised as a character in this book!’

Victoria Goldman is a journalist and author whose first novel, The Redeemer, has won praise from Louise Voss, Adam Hamdy, Marnie Riches and many more.

As a British thriller writer, I too love to infuse my fiction with a sense of place. New murder mystery and suspense thriller Lies at Her Door is set in the swanky district of Clifton, Bristol. When a skeleton is found under Lucy Freeman’s garden, the shy young woman is the prime suspect. Yet when she tries to clear her name, she realises that uncovering long-buried wrongs can be lethal…

Thriller of the Month – The Darkest Lies, by Barbara Copperthwaite

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Like the famous Echo & The Bunnymen song, “The Darkest Lies” revolves around a killing moon. On brightly moonlit nights, two young girls are brutally attacked. Fobbed off by police and betrayed by friends, Melanie, mother of one of the victims, turns detective to find out who’s responsible for the awful crime.

At thirty-three, Melanie is a housewife and journalist manqué who has lived in the same Fenland village all her life. She thinks she knows everybody’s secrets, including her daughter’s. After all, Beth is an only child, and both Melanie and her loving husband have a close relationship with her. Nevertheless, as Melanie unpeels the surface of her neighbours’ lives, unpleasant truths are revealed. Melanie finds herself in danger, too, but willingly embraces it in her quest to avenge her daughter.

The strain on Melanie’s mental health and her marriage are too apparent. It’s impossible not to sympathise with her despite the poor choices she makes in her desperation to cope. This maintains suspense, as do the tantalising glimpses of the killer’s thoughts that punctuate the narrative.

“The Darkest Lies” is Barbara Copperthwaite’s third thriller. As ever, the pages keep turning right up until the nail-biting conclusion – on a moonlit night, of course…

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Like Barbara, I’m a British crime thriller writer. With other authors, I’ll be taking part in a big online thriller giveaway in June – sign up for my newsletter to find out more, and receive a free e-book of short stories.

Why dyslexia doesn’t stop you reading…

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My grandfather was a telecoms troubleshooter. As a young Englishman in the early 20th century, he travelled the world, supervising the laying of cables across the sea, then keeping the signal crystal-clear after that. If equipment was broken, he’d fix it himself. His work took him to New York, Odessa and Persia, in ships and steam trains and a Model T Ford.

Despite his can-do attitude and undeniable skills, he never picked up a book. My grandfather was dyslexic; reading and writing was a struggle for him. He wasn’t alone, of course. Although I dodged that bullet myself (to compensate, fate decreed I’d be rubbish at DIY), dyslexia features in every generation of my family. In fact, 10% of Britons are dyslexic.

It isn’t that hard to produce a dyslexia-friendly book, but it costs more than a traditional paperback. That’s because, with larger letters and more space between the lines, the page count zooms up dramatically. Perhaps that’s why nobody has published fiction for adults with dyslexia – until now. Perfect City Press has produced new editions of my crime thriller, The Bride’s Trail, and its sequel, The Vodka Trail. Spot the difference! 

The Vodka Trail - Page 1 in traditional and dyslexia-friendly formats
The Vodka Trail – Page 1 in traditional and dyslexia-friendly formats

They’re also an option for older readers and anyone with visual stress – we’ve used a large sized sans serif font, lots of space, and cream paper, and they’re still affordable at £16.99. That compares with £7.99 for the traditional paperbacks and £1.99 for the e-books.

E-books are a great alternative, of course. You can adjust the style and size of the font, and sometimes the colour of the background. But for me, nothing beats a good old-fashioned paperback – and I suspect dear old Grandad would finally agree!

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I’m a British crime thriller writer. I’ve written a variety of short stories, and four full-length thrillers sizzling with suspense, sex, love and death. My latest, The Bride’s Trail and The Vodka Trail, are available in e-book, traditional paperback and dyslexia-friendly paperback editions through a variety of bookstores and online retailers.

Thriller of the Month – The Woodcutter, by Reginald Hill

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“I lived in a fairytale,” Wolf Hadda tells his psychiatrist from his prison cell. As far as he’s concerned, he achieved the impossible and won his fair lady.

Trouble is, they’re no longer together. In fact, Wolf, a former financial whizzkid, is now a convicted paedophile and fraudster. He’s penniless and his youthful good looks are gone, ravaged by an accident during an unsuccessful escape bid. Needless to say, he’s been abandoned by family and friends.

Elf, his psychiatrist, finally achieves the breakthrough that at first seems impossible. Wolf admits the crimes he’s been denying for seven years. He’s released on parole. Elf congratulates herself on a job well done. She visits his remote country cottage and even begins to acknowledge that she feels attracted to this reformed character. Then, as bad things begin to happen to those who have crossed Wolf Hadda, she starts to question her own judgement.

This isn’t so much a fairytale gone wrong as an allegory, especially as it features the shadowy JC, a spymaster with the power to put wrongs right. In a tale with many twists, it’s not always easy to tell who the good guys are, but at least we know by the end.

Reginald Hill sold millions of his Dalziel and Pascoe detective mysteries. The Woodcutter is another type of book altogether. With dodgy Russians, bent coppers, cokeheads and toffs, there are enough crazy characters and action scenes in The Woodcutter to please any thriller fan, but a heart-warming seasoning of humour and romance too.

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Like Reginald Hill, I’m a British crime thriller writer (my most recent book is The Vodka Trail), but I have other strings to my bow too. Get a free e-book of short stories – including crime, horror and romance! – by signing up here for my short and sweet newsletter.

Thriller of the Month – Dublin Dead, by Gerard O’Donovan

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Newspaper stories of Irish crime lords describe mysterious murders and colourful characters like The Monk and The Viper. That’s plenty to inspire Gerard O’Donovan, who writes tense crime thrillers set in Dublin.

‘Dublin Dead’ is his second novel. In his first, ‘The Priest’, DI Mike Mulcahy and reporter Siobhan Fallon were an item. That’s no longer the case. Taken to the brink of death by a psychopath in ‘The Priest’, Siobhan bears physical and mental scars. She’s been suffering from PTSD. They’ve split up. For Mike, no other woman measures up to Siobhan, and his unrequired love for her is the thread that ties ‘Dublin Dead’ together.

Although they’re both investigating different leads – he a drugs deal that’s gone wrong, she a mother’s concern for her missing accountant daughter – their paths cross at several points in the story, including the dramatic finale. Gerard O’Donovan writes well, ratchets up the tension as the book progresses, and finishes with an unexpected but very believable twist. In my opinion, ‘Dublin Dead’ is the better book of the two, offering a smoother narrative and more hints at gore rather than graphic detail. It’s easy to follow without reading ‘The Priest’ first and those pages just keep turning. Highly recommended.

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I’m a crime thriller writer focusing on stories set in British cities. As a taster, read 5 minute crime thriller ‘The Gap’ here.

Characters I Hate, and Why

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Some fictional characters are a joy to write about. I paid tribute to them in my blog last week. There are others, by contrast, that I hate. Every word added to the page is a triumph of willpower. Because I immerse myself in each character’s mind and thoughts, that’s a big challenge when his or her values are very different from mine.

Nowhere was that more evident than the chapters devoted to Jeb in my latest crime thriller, The Bride’s Trail. Apart from loving his mother, he has no redeeming features. Jeb is an East End villain, selling Class A drugs and running a string of prostitutes whom he’s hooked on his wares. Greed is his sole motivator. He lies, steals and kills without a second thought. The mind of a psychopath is a depressing place indeed. You can meet Jeb, and Kat, who gets the better of him – just – in short story The Gap, a “5 minute crime thriller”.

After The Interview brought Boris, a coward, womaniser and murderer. While I hoped to make his emotions and actions understandable to readers, I doubt that he was loveable. I couldn’t love him myself. His infidelity, the bullying treatment of the Polish concierge and the paranoid execution of his best friend were almost enough to drive a writer to drink. Boris hit the bottle instead…

By comparison, I said last week that autistic Jed Gardner was my favourite character in After The Interview. That’s not the whole story. His episodes of anger and misery cast a grey cloud over my life, and a huge sigh of relief when he finally found peace of mind. I was challenged by outrageous Tony, the womanising tobacco chief executive of Up In Smoke, too. An unreconstructed chauvinist and Big Tobacco poster boy, he was fun – but I still gritted my teeth as he sold tobacco to smugglers and treated attractive women as every bit as disposable as a piece of Kleenex. Interestingly, Tony wasn’t based on a real person, but several readers thought they knew him! A case of truth being stranger than fiction?

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Which fictional character do you love to hate, and why? Please drop me a line at aaabbottstories[at]gmail.com and let me know! As a British crime thriller writer, I’m open to feedback and suggestions for new angles. In fact, reader feedback is so important to me that every draft crime thriller is read by a panel of 20 beta readers before a final rewrite!