A.A. Abbott

GREAT CRIME STORY WRITER

suspense

Book Review – Killing The Girl, by Elizabeth Hill

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Desire, Secrets and DeathKilling The Girl is a page turner suspense thriller about secrets desire and death

An explosive tale of desire, secrets and hard-nosed commerce, “Killing The Girl” is a psychological thriller like no other. It begins with a coming-of-age story. Fifteen-year-old Carol Cage lives in a council house on the edge of Bristol. A tomboy whose older brothers have taught her to drive, she loves nothing better than taking the wheel of a car or scrumping apples with her best friend. Local farmer’s son, Perry, his crush on Carol painfully obvious, holds no attraction for her. Childhood mischief comes to an end, however, when Carol falls under Frankie’s spell. Nineteen-year-old Frankie is visiting a relative whose posh house nearby is a mirage of unattainable wealth to the council kids. He seems impossibly handsome and sophisticated.

It doesn’t take long for the reader, or indeed many of the adult characters in the book, to realise that Frankie is just using Carol. However, Carol is besotted and ignores all the well-intentioned warnings until she finds out the hard way. Then, nightmarishly, she attacks Frankie when he pushes her too far.

Love or Money?

Perry is Carol’s saviour, helping her cover up Frankie’s death. He claims it is because his father’s farm would face impossibly steep outgoings if land that Carol has inherited falls into new hands. Although undeniably true, it is also clear that Perry still carries a torch for Carol – a torch that burns for nearly five decades while they co-exist as neighbours. Then the council announces it will build a ring road through the land where Frankie is buried. Can Carol continue to escape justice?

The Corpse Count Rises

Once the bulldozers move in, more secrets are revealed. There are heart-stopping moments as Carol unravels the hidden agendas of those she has loved and trusted. The story, written from Carol’s point of view, portrays her as a mild-mannered woman buffeted by the whims of others. However, the corpse count keeps rising…

Page Turner

Although this is Carol’s story, the supporting characters are sharply observed and interesting, too. Even the gloriously-named socialite Izzy Dewberry-Newberry is well-described in a couple of lines. Likewise, the social mores of the 1970s – the acceptance of drink-driving, the Bristol tobacco factory jobs handed down from one generation to the next – leap from the page. Exquisitely written, full of surprises as layers of secrets and lies are peeled back, “Killing The Girl” is a page turner par excellence. Elizabeth Hill is definitely a writer to watch.

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Like Elizabeth Hill, I’m a British thriller writer. If you love a suspense-filled story uncovering secrets of the past, try “The Vodka Trail”. Vodka salesman Marty Bridges couldn’t save his business partner’s life. Blamed by the dead man’s daughter for his death, Marty finds new evidence – but dare he tell her?

Book Review – Absolution, by Paul E Hardisty

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Framed for murder…a book review absolution by paule hardisty is a gripping thriller

Paul E Hardisty’s Absolution takes us back to 1997, when hero Clay Straker has just testified about the horrors of South African apartheid to Mandela’s Truth and Reconciliation Commission. In doing so, he’s made enemies who want him dead.

He’s not the only one, it seems. Clay’s former girlfriend, Rania, is devastated by the deaths of her husband and small son. Even worse, someone has framed her for their murders.

Travelling to Egypt to try to discover the truth, she asks Clay for help. He really wants to oblige, but assassins lurk at every port and airstrip as he crosses Africa to join her. Clay needs all his cash, firepower and cunning to survive.

This crime mystery shifts swiftly into an action thriller

Although beginning as a crime mystery with the disappearance and killing of Rania’s family, Absolution is an action thriller above all. Each conflict and slaughter is described in gory, bone-crushing detail. Every weapon is itemised. Clay is a man’s man: a connoisseur of guns, hard-nosed and heavy-drinking, not afraid of a scrap. Despite the scars of war, he is amazingly attractive to women. Here, Hardisty misses a trick: we never find out what it is about this tough mercenary that appeals so much to the opposite sex. Perhaps it’s simply Clay’s steadfastness. He stands by his friends, male or female, when all around are swayed by money. In a tale of government and corporate corruption, Clay is one of the few who cannot be bought.

Suspense

The story moves at a fair clip, with plenty of suspense as the action switches between Rania’s investigations in murky Cairo and Clay’s desperate journey to reach her. Although no travelogue, the places through which Clay passes are well described: the heat, dust and dangers of African warzones and the cramped, polluted metropolis of Cairo. The desert dénouement presents a picturesque, as well as a tragic, scene. Hardisty writes very well and holds attention throughout. Satisfyingly, the book ends on an ambivalent note. Will Clay’s adventures continue?

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If you love a fast-paced story with a sense of place, try The Vodka Trail. When glamorous Kat White travels to the former Soviet Union in an attempt to recover her family vodka business, she doesn’t realise her oldest enemy will hold her life in his hands…

Thriller of the Month – The Darkest Lies, by Barbara Copperthwaite

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Like the famous Echo & The Bunnymen song, “The Darkest Lies” revolves around a killing moon. On brightly moonlit nights, two young girls are brutally attacked. Fobbed off by police and betrayed by friends, Melanie, mother of one of the victims, turns detective to find out who’s responsible for the awful crime.

At thirty-three, Melanie is a housewife and journalist manqué who has lived in the same Fenland village all her life. She thinks she knows everybody’s secrets, including her daughter’s. After all, Beth is an only child, and both Melanie and her loving husband have a close relationship with her. Nevertheless, as Melanie unpeels the surface of her neighbours’ lives, unpleasant truths are revealed. Melanie finds herself in danger, too, but willingly embraces it in her quest to avenge her daughter.

The strain on Melanie’s mental health and her marriage are too apparent. It’s impossible not to sympathise with her despite the poor choices she makes in her desperation to cope. This maintains suspense, as do the tantalising glimpses of the killer’s thoughts that punctuate the narrative.

“The Darkest Lies” is Barbara Copperthwaite’s third thriller. As ever, the pages keep turning right up until the nail-biting conclusion – on a moonlit night, of course…

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Like Barbara, I’m a British crime thriller writer. With other authors, I’ll be taking part in a big online thriller giveaway in June – sign up for my newsletter to find out more, and receive a free e-book of short stories.

Living in a Box – Why Crime Thrillers are my Genre

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I describe myself as a British crime thriller writer. While strictly truthful – I’m British, and I write books containing lots of thrills and crime – it’s not the whole story. My full-length thrillers also sizzle with suspense, sex and romance. There’s often a dose of office politics, as corporate emperors play games with each other.

Why, then, be pigeonholed in a box labelled “crime thriller”? There are four reasons why I believe choosing a genre is important:

#1. Readers know what to expect. It’s true of any genre, whether it’s sci-fi, horror or even divisions of non-fiction like biographies. An avid crime thriller fan can accept a little romance creeping into the plot. It may even be the motive for the crime (in After The Interview, a single adulterous incident has far-reaching consequences). On the other hand, a reader of romantic fiction might balk at a murder or two.

#2. It’s hard for readers who love blockbuster-style thrillers (or any other niche for that matter) to find them at random in the packed General Fiction shelves of bookstores.

#3. It makes comparisons easy. I’m not Kate Atkinson, Ruth Rendell or John Grisham, but my books are a little like each of them – and If you love any of them, you’re likely to enjoy my fiction too.

#4. The book trade – the mighty Amazon, bookstores and wholesalers – prefer it.

I give myself more latitude when I write short stories. Some, like 5 minute crime thriller The Gap, available free here, slot naturally into the crime fiction genre. Others delve into the realms of horror, romance and the supernatural. If you haven’t read my free e-book, Something In The City, yet, click here to receive a copy, and see for yourself.

Thriller of the Month – The Tree of Hands, by Ruth Rendell

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When I first began to write grown-up fiction, I went to evening classes in creative writing. My teacher was a glowing fan of Ruth Rendell’s crime stories. Soon, I was addicted to them too, especially the darker thrillers that Ms Rendell wrote using the name Barbara Vine.

Although The Tree of Hands was published under Ms Rendell’s own name, it sits firmly within the genre of dark psychological thrillers. Cosy Inspector Wexford is nowhere to be seen. Instead, we are introduced to Benet, who has written a blockbuster and lives comfortably in Hampstead as the single mother of a toddler. Adulthood has brought about an uneasy truce with Benet’s mother Mopsa, victim to a mental illness that produces sudden episodes of psychosis. Visiting from Spain, Mopsa at last appears to be cured – until, driving through a rather less salubrious area of London, she steals an abandoned child.

I hesitate to say much more because I want you to enjoy all the surprises on offer in The Tree of Hands for yourself! Suffice to say, the aftermath of the crime throws a spotlight on love, loss and nastier aspects of human relationships. Ms Rendell understood too well how rumour and paranoia could turn a whole community against an individual. The tale is also told through an excellent cast of supporting characters: a young carpenter impossibly starry-eyed about his feckless lover, a neurotic conman, a gangster, a kindly doctor.

As always with Ruth Rendell’s work, although the characters may be hard to love, they’re written sympathetically. The reader has access to Benet’s innermost thoughts, as well as gaining insight into other individuals we might not want as neighbours…

Following her sad death a few months ago, Ms Rendell will be sorely missed. If you haven’t read The Tree of Hands, do track it down!

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I also write psychological crime thrillers laced with twists and suspense. If you like Ruth Rendell’s style, I bet you’ll love my latest crime thriller, The Bride’s Trail, too! Take a look at the reviews and peek inside the book on Amazon.